ततः शङ्खाश्च भेर्यश्च पणवानकगोमुखाः ।
सहसैवाभ्यहन्यन्त स शब्दस्तुमुलोऽभवत् ॥ १३ ॥
tataḥ śhaṅkhāśhcha bheryaśhcha paṇavānaka-gomukhāḥ
sahasaivābhyahanyanta sa śhabdastumulo ’bhavat
फिर, सहसा असंख्य शंख, नगाड़े, बिगुल, तुरही और सींग बज उठे। उनकी सामूहिक ध्वनि भयंकर थी।
Then numerous conches, kettledrums, bugles, trumpets and horns suddenly blared forth and their collective sound was tremendous.
The thirteenth verse of the Bhagavad Gita's first chapter marks a critical and dramatic moment on the battlefield of Kurukshetra. It is here that, without uttering a single word in response to Duryodhana’s concerns or strategies, Bhishma—commander of the Kaurava army—blows his conch shell. This act is not just a signal; it is the unequivocal declaration that the conflict is now underway. The sound of Bhishma’s conch acts as both a call and a command, reverberating across the vast armies assembled for war.
Immediately after Bhishma’s decisive gesture, a wave of energy passes through the Kaurava camp. Conches, kettledrums, bugles, trumpets, and horns are all sounded in quick succession. The noise is overwhelming, a cacophony that surges through the ranks, signaling the formal commencement of hostilities. The tumult is described as “tumultuous” or “uproarious,” capturing the sheer scale and fervor of the moment as thousands of warriors respond in unity to their commander’s lead.
The imagery here is powerful. Consider the setting: two massive armies facing each other, nerves taut, and anticipation hanging thick in the air. The single sound of Bhishma’s conch shatters this tension, replaced by a roaring sea of musical instruments. It is as if the entire Kaurava side, emboldened and excited, suddenly finds new purpose and enthusiasm just from the sound, amplifying the sense of unity and readiness for battle.
From a narrative perspective, Bhishma’s silence before the act is deeply telling. He chooses not to debate or counsel Duryodhana any further. His earlier efforts to guide or correct have reached their limit. Now, words yield to action. The blowing of the conch becomes his expression of resolve, a silent statement that he will fulfill his duty to the best of his ability, regardless of personal reservations or the righteousness of the cause.
There is also a subtle but profound symbolism in this gesture. In the traditions of ancient India, the conch shell is closely associated with Lord Vishnu, a symbol of divine authority and auspicious beginnings. By invoking this symbol, Bhishma signals more than just the start of battle; he acknowledges the larger forces at play, hinting that victory or defeat ultimately rests in higher hands, even as each person must play their part with honor and commitment.
The collective response to Bhishma’s call is noteworthy. The Kaurava soldiers, upon hearing the conch, become elated and energized, especially Duryodhana, who finds his spirits uplifted by the show of support and vigor. The sudden eruption of sound across drums, bugles, and horns creates an atmosphere thick with passion and anticipation, raising morale and signaling to the Pandava army the unwavering readiness of their opponents.
This verse encapsulates a turning point, both in the story and in the emotions of those involved. What was previously tense uncertainty now transforms into kinetic momentum. The battlefield is no longer a place of waiting or negotiation—it is now the stage upon which destiny will unfold. The verse thus blends action, symbolism, and the unspoken complexities of duty, making it a memorable pivot in the grand narrative of the Gita.
In essence, verse 1.13 stands as a testament to the power of decisive action, the unity brought about by clear leadership, and the inevitability of facing one's responsibilities head-on. It bridges the suspenseful anticipation of battle with the resounding chorus of commitment, as the great war begins not with a dialogue, but with the thunderous music of resolve and readiness.
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